《玉簪记》与昆剧小全本的建构  

The Jade Hairpin and the Construction of Kun Opera Abridged Full-length Edition

作　　者：吕靖波 LV Jing-bo(School of Literature,Jiangsu Normal University,Xuzhou,Jiangsu 221116)

机构地区：[1]江苏师范大学文学院,江苏徐州221116

出　　处：《艺术百家》2024年第3期66-71,共6页Hundred Schools In Arts

摘　　要：有别于其他昆剧经典的命运,《玉簪记》问世后不久即遭遇各种“差评”,且一直持续到近代,批评者中不乏像吕天成、祁彪佳、李渔和吴梅等著名曲家。他们的不满主要集中在两方面:一是质疑作品人物、剧情不合理;二是指责其声律存在问题。然而,备受訾议的《玉簪记》,舞台演出却深受各阶层观众的喜爱与欢迎,并被成功改编为小全本戏。《玉簪记》的历史演变及演出经验,甚至存在的问题,对于今天昆剧小全本的建构具有诸多启迪。Different from other classic Kun opera works,The Jade Hairpin encountered various negative reviews shortly after its publication and continued until modern times.Among the critics were famous composers such as Lu Tiancheng,Qi Biaojia,Li Yu,and Wu Mei.Their dissatisfaction mainly focuses on two aspects:first,questioning the characters and unreasonable plot of the work;The second is to accuse it of having problems with its vocal rhythm.However,the highly criticized The Jade Hairpin was deeply loved and welcomed by audiences from all walks of life on stage,and was successfully adapted into an abridged full-length edition.The historical evolution,performance experience,and even existing problems of The Jade Hairpin can provide many inspirations for the construction of today's Kunqu Opera abridged full-length edition.

关 键 词：《玉簪记》 訾议 盛传 小全本 剧本建构 

分 类 号：J805[艺术—戏剧戏曲]