抗战时期新兴木刻的思想政治教育功能与当代启示  

The Ideological and Political Education Function of Woodcuts During China's Resistance War Against the Japanese Aggression and Its Contemporary Enlightenment

作　　者：杨明佳 康霄旸 邵献平 YANG Ming-jia;KANG Xiao-yang;SHAO Xian-ping(School of Marxism,Wuhan University of Technology,Wuhan 430070,China)

机构地区：[1]武汉理工大学马克思主义学院,湖北武汉430070

出　　处：《湖北科技学院学报》2024年第5期29-35,共7页Journal of Hubei University of Science and Technology

基　　金：2019年度国家社科基金高校思政课研究专项“提升高校思政课课堂教学效果研究”(19VSZ073)。

摘　　要：新兴木刻在抗战时期全国大规模的宣传动员中扮演着重要角色,其具有的阶级性、斗争性和宣传性的特征,以及在革命中诞生,在战火中成长的独特发展历程,使其在宣传动员中发挥了思想政治教育思想引导功能、文化传播功能和政治动员功能,探索出政治性与艺术性相统一,民族性与开放性相统一的创作原则。包括新兴木刻在内的红色美术对当代美术的繁荣发展在内容上、形式上、技术上和人才上有着重要启示。Emerging woodcut played an important role in the large-scale national propaganda mobilization during the war of resistance,and its characteristics of class,struggle and propaganda,as well as its unique development course of being born in the revolution and growing up in the war,enabled it to play the functions of ideological and political education and guidance,cultural dissemination and political mobilization in the propaganda mobilization and explored the unity of politic and artistry,and the unity of ethnicity and openness.It has explored the creative principles of unity between politics and artistry,and unity between ethnicity and openness.Red art,including emerging woodcut,is an important inspiration for the prosperity of contemporary art in terms of content,form,technology and talents.

关 键 词：抗战时期 新兴木刻 思想政治教育 功能 当代启示 

分 类 号：G414[文化科学—教育学]