有意味的形式——《三博士朝拜》图像学解析  

Meaningful form-Iconographic analysis of Adoration of the Magi

作　　者：蔡靓 CAI Liang(School of Humanities and Arts,Macao University of Science and Technology,Macao 999078,China;School of Civil and Architecture Engineering,Hangzhou 310023,Zhejiang,China)

机构地区：[1]澳门科技大学人文与艺术学院,中国澳门999078 [2]浙江科技大学土木与建筑工程学院,杭州310023

出　　处：《浙江科技学院学报》2024年第4期310-320,共11页Journal of Zhejiang University of Science and Technology

摘　　要：探讨“三博士朝拜”主题绘画在地下墓室和文艺复兴时期绘画形式背后的意蕴。基于克莱夫·贝尔提出的“有意味的形式”之理论来研究绘画创作的“构图”“透视”等形式语言,解释形式背后的意蕴,研究形式可以导向不可见之内涵。基于形式的图像研究是洞察人类心灵的基本倾向在不同历史条件下对特定主题和概念表现方式的研究,这有利于我们了解西方文艺复兴时期此主题绘画在每个历史时期感知图式的独特性,以及每种文化或时代如何产生不同但同样完整的世界观,在展现绘画创作背后思想变化的同时也了解了创作背后的“他因”。The meaning behind the theme painting“Adoration of the Magi”was explored in the painting forms of Catacombs and Renaissance.Based on the theory of“meaningful form”proposed by Clive Bell,the formal language in painting creation was expounded,such as“composition”and“perspective,”accounting for the meaning behind the form,leading to the invisible connotation.The form-based iconographic research is a probe into the basic tendency of the human mind to express specific themes and concepts under different historical conditions,which is conducive to our understanding of the uniqueness of the perceptual schema of this theme painting in each historical period of the Western Renaissance,and of the production of a different but equally complete world view in each culture or era,and our understanding of the“other reasons”behind the creation while showing the changes in thoughts behind the creation of paintings.

关 键 词：《三博士朝拜》 形式 图像学 透视 

分 类 号：J184[艺术—艺术理论]