聆察“三吏”“三别”中的音景建构  

Listening to the construction ofsoundscapes in“Three Officials”and“Three Farewells”

作　　者：付青蔓 殷学明[1] FU Qing-man;YIN Xue-ming(College of Literature,Liaocheng University,Liaocheng Shandong 252059,China)

机构地区：[1]聊城大学文学院,山东聊城252000

出　　处：《齐齐哈尔大学学报（哲学社会科学版）》2024年第7期112-115,共4页Journal of Qiqihar University(Philosophy & Social Science Edition)

基　　金：山东省本科高校教学改革研究重点项目:基于生成性教学理念的中文专业拔尖创新人才培养机制与模式研究(Z2021308)。

摘　　要：杜甫是中国古代叙事诗歌集大成者,而“三吏”“三别”作为其叙事诗中的最高成就,所蕴含的声音资源十分丰富。诗人使用“视角转换”“显隐交织”“幻听、灵听与偶听的融合”的叙述方式,记录了诗人之声、人物之声、空间之声,从而建构了六幅音景。通过对这六幅音景的聆察,可以发现“三吏”“三别”中的叙述声音对于表明情感立场、再现社会真实、凸显人物性格等方面具有重要作用,从声音维度为诗歌提供了更加丰富的文本内涵和更加微妙的想象空间。Du Fu is a master of narrative poetry in ancient China,and the"Three Officials"and"Three Farewells",the high-est achievements of his narative poetry,are rich in sound resources.The poet uses the narative methods of"shifting perspectives,""interweaving the visible and the invisible,"and"the fusion of phantom,spiritual,and episodic hearing"to record the voice of the po-et,the voice of the characters,and the voice of space,thus Four soundscapes are constructed.Through listening to these four sounds-capes,we can find that the narrative voices in"Three Officials"and"Three Farewells"play an important role in indicating emotion-al positions,reproducing social realities,and highlighting characters personalities,providing the poems with richer textual connotations and more subtle imagination from the dimension of sound.It provides the poem with a richer textual content and a more subtle imagina-tion.

关 键 词：三吏 三别 音景 叙声 

分 类 号：I207.22[文学—中国文学]