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作 者:倪曾鑫 NI Zeng-xin(School of Humanities,Nanyang Technological University,639798,Singapore)
出 处:《石河子大学学报(哲学社会科学版)》2024年第4期118-124,共7页Journal of Shihezi University(Philosophy and Social Sciences)
摘 要:郑小琼的诗歌中呈现大量自然物与工业物等物象描写,这与其情感表达密切相联。这些物象以不同方式构建并抒发诗人女性情感与底层情感,即自然物或通过感官激发、或以其文化内涵参与构建诗人的女性情感,而工业物或通过事件触发、或以其社会隐喻性参与构建诗人的底层情感。这两种情感的诗意抒写旨在为自然物与女性、工业物与底层劳工等同为“他者”发声,致力于构建他者精神共同体。同时,诗人的创作转向也暗示了其人类命运共同体意识,在实践与想象中探索美学出路,带领现代人寻找诗意,走向诗性人生。Zheng Xiaoqiong's poetry presents a significant number of depictions of natural and industrial objects,which are closely intertwined with her emotional expression.These objects,in various ways,construct and express the poet's feminine and lower class emotions.Natural objects construct the poet's feminine emotions by virtue of either sensory stimulations or cultural connotations,while industrial objects construct her lower class emotions by means of either triggering events or their social metaphors.The poetic expression of these two types of emotions aims to give voice to the“objects,”such as both natural objects and female workers,both industrial objects and underclass workers,so as to build a spiritual community of the others.Meanwhile,the poet's creative turn also hints at her consciousness of a community of shared destiny,through exploring the aesthetic way out in practice and imagination,and leading modern people to find poetic meaning and poetic life.
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