论新疆哈萨克族题材电影中的国家认同  

Research on the National Identity of Kazakh-themed Films in Xinjiang

作　　者：严雪明 YAN Xueming(College of Literature,Shaanxi Normal University,Xi’an,Shaanxi 710119)

机构地区：[1]陕西师范大学文学院,陕西西安710119

出　　处：《昌吉学院学报》2024年第4期64-68,共5页Journal of Changji University

基　　金：国家社会科学基金重大项目“中国共产党领导左翼文艺的历史经验研究”(23&ZD286)阶段性研究成果。

摘　　要：新疆哈萨克族题材电影中的国家认同表现在建构中华民族共同体意识、国家制度认同、多元文化认同三个方面。影片中呈现的各民族团结互助、相亲相爱的景象具有增强中华民族共同体意识的作用,对于不同时代国家政策的宣传体现了制度层面的认同,各种文化的交流与融和彰显了共同体视域下的多元文化认同。在中华民族多元一体格局中,56个民族是基层,中华民族是高层,新疆哈萨克族题材电影对国家认同的建构体现了融入中华民族共同体的努力。The national identity in Xinjiang Kazakh-themed films is manifested in three aspects:the construction of the sense of community for the Chinese nation,national system identity and multi-cultural identity.The scenes of ethnic unity,mutual assistance and love shown in the film can enhance the sense of community for the Chinese nation,the publicity of national policies in different times reflects the institutional identity,and the exchange and integration of various cultures highlight the multicultural identity from the perspective of the community.In the pluralistic and integrated pattern of Chinese ethnic groups,56 ethnic groups are the basic level and the Chinese nation is the top level.The construction of national identity in the Kazakh-themed films of Xinjiang reflects the efforts to integrate into the Chinese National Community.

关 键 词：新疆哈萨克族题材电影 国家认同 中华民族共同体意识 制度认同 文化认同 

分 类 号：J97[艺术—电影电视艺术]