五部中国当代音乐作品中的音列思维探赜  

Exploration of Tone Series Thinking in Five Chinese Contemporary Music Works

作　　者：刘康华[1] Liu Kanghua

机构地区：[1]中央音乐学院,北京430042

出　　处：《音乐艺术（上海音乐学院学报）》2024年第3期4-26,共23页Art of Music(Journal of the Shanghai Conservatory of Music)

摘　　要：“音列-特定结构模式的音的横向集合体”是作曲家个性化音高组织的基础性材料之一,“音列思维”是指作曲家在创作中恪守特定结构音列的音高组织思维方法。沈葉的唢呐协奏曲《一枝花》、姚晨的管弦乐曲《造园》、张千一的交响套曲《我的祖国》第四乐章《春到边寨》、秦文琛为管弦乐队而作的舞蹈组曲《伶伦作乐图》、郭文景的六重奏《寒山》,上述作品虽然在创作观念、精神内涵、表现内容、写作技法等方面各具特色,但在音高组织思维,即结构的深层次方面,表现出可供探讨的共性问题——音列思维。"Tone-row thinking refers to a transverse aggregate of sounds of a particular structural pattern"It is one of the basic materials for composers to organize individual pitches."Tone-row thinking"refers to the composer's thinking way in the creation of a specific structure of the pitch of the organization of thinking.Shen Ye's suona concerto A Sprig of Flowers;Yao Chen's orchestral music Gardening;Zhang Qianyi's symphonic cycle My Motherland(fourth movement,"Spring Arrives in the Border Village");Qin Wenchen's dance suite for orchestra Music Making Scene;And Guo Wenjing's sextet Cold Mountain.Although they have their own characteristics in terms of creative concept,spiritual connotation,expressive content and writing technique,they all exhibit some commonness in pitch organization thinking,that is,tone-row thinking in the deep level of structure,which is worthy of further study.

关 键 词：音列 音列思维 传统音乐元素 

分 类 号：J614.5[艺术—音乐]