卡明斯诗歌的“表演性”研究  

Performativity in Cummings Poetry

作　　者：许庆红[1] 王睿玉 XU Qinghong;WANG Ruiyu(School of Foreign Studies,Anhui University,Hefei 230601,China)

机构地区：[1]安徽大学外语学院,合肥230601

出　　处：《安徽理工大学学报（社会科学版）》2024年第4期29-35,共7页Journal of Anhui University of Science and Technology:Social Science

摘　　要：卡明斯诗歌具有三个核心要素——诗画乐三位一体的跨艺术特点、源艺术内容的跨媒介演绎与文学事件性。前两个要素涉及了诗歌内部的表演性,文学事件性则是从文学事件的角度探究诗歌模式所具有的表演性及其对现实的作用力。文章借助跨艺术、跨媒介诗学理论,通过前两个要素论证卡明斯诗歌内在的“表演性”,并从文学事件的角度指出卡明斯独特诗歌模式表演性的现实意义。E.E.Cummings poetry manifests three core characteristics:the trinity of poetry,painting and music,the cross-media re-interpretation of the original content,and the eventness of literature.The first two exhibit the internal performativity of poetry.The eventness of literature digs into the performativity as signified in the mode of poetry and its significance in terms of literary event.This paper,in light of cross-art and inter-art poetics,elaborates on the“performativity”of cummings poetry by discussing the first two core characteristics,and proves the realistic significance of cummings poetic mode from the perspective of literary eventness.

关 键 词：卡明斯 跨艺术诗学 表演性 文学事件 

分 类 号：I712.072[文学—其他各国文学]