论陈彦戏剧题材小说的民族性与现代性  

On the Nationality and Modernity of Chen Yan's DramaThemed Novels

作　　者：王俊虎[1] 刘宇涛 WANG Junhu;LIU Yutao(School of Literatureand Communication Journalism,Yan'an University,Yan'an 716000,Shaanxi)

机构地区：[1]延安大学文学院,陕西延安716000

出　　处：《信阳师范学院学报（哲学社会科学版）》2024年第5期135-140,共6页Journal of Xinyang Normal University(Philosophy and Social Sciences Edition)

基　　金：国家社科基金重大项目(18ZDA280);陕西省哲学社会科学重大理论与现实问题研究项目(2022ND0427)。

摘　　要：陈彦的戏剧题材小说融合了西方现代主义思潮和中国传统文化,展现出了独特的文学风貌。他在社会整体的现代性转型中以文学之眼观照现实问题,表现出对现代社会的深刻关注和思考。陈彦一方面通过对陕西地方方言、戏曲文化符号和对偶美学理论的运用凸显了其作品的民族性;另一方面通过对传统戏曲的现代转型及现代社会女性的迷失等问题的探究展现了他对现代性的思考。陈彦在对民族性与现代性的共生融合与矛盾冲突问题的探讨中彰显出其强烈的社会责任感。陈彦通过传承和创新传统文化,将民族之根与现代之魂相结合,对中国式现代化的当代语言与文学表达进行了创新。Chen Yan's drama themed novels blend Western modernist trends with traditional Chinese culture,showcasing a unique literary style.He used a literary perspective to observe real-life issues in the overall modernization transformation of society,demonstrating a profound concern and reflection on modern society.On the one hand,Chen Yan highlighted the national character of his works through the application of Shaanxi local dialects,theatrical cultural symbols,and the theory of dual aesthetics.On the other hand,he demonstrated his thinking on modernity through the exploration of the modern transformation of traditional opera and the loss of women in modern society.At the same time,his strong sense of social responsibility is demonstrated in the exploration of the symbiotic integration and conflicting issues of ethnicity and modernity.Chen Yan has innovated the contemporary language and literary expression of Chinese path to modernization by inheriting and innovating the traditional culture and combining the national root with the modern soul.

关 键 词：陈彦 戏剧题材小说 民族性 现代性 

分 类 号：I207.425[文学—中国文学]