设计与农林业的共生:日本水上町(Minakami)乡村设计文化建设的内生模式  

Symbiosis between Design,Agriculture and Forestry:an Endogenous Model of Rural Design Culture Construction in Minakami,Japan

作　　者：幸雪 屈萍 Xing Xue;Qu Ping

机构地区：[1]宁波大学宁波大学昂热大学联合学院

出　　处：《艺术设计研究》2024年第4期95-102,共8页Art & Design Research

基　　金：宁波大学高级别人文社科培育项目“乡村设计文化数智创新生态的体系建构及实践机制研究”(XPYQ22010)的阶段性成果;教育部人文社科青年基金资助项目“赐服规制所见明代与朝鲜交往交流交融研究”(21YJC760060)的阶段性成果。

摘　　要：日本乡村设计文化的建设具有显著的内生特色。研究通过梳理“工匠之乡”水上町(Minakami)手工工坊的设计思想、设计行为及设计产业链在农林生态管理下的组织模式,分析内生理论下其土地艺术设计观的生成机制、家族观与生态观并行的工坊运作机制、微型产业链组织结构及生态互动机制。水上町设计文化建设的内生模式,实现了当地农林资源与设计产业之间的价值转化,同时充分调动了当地居民及“关系人口”的能动性,对我国乡村设计文化的同质化改造具有启示意义。The development of Japan's rural design culture is characterized by distinctive inherent features.The study explores the organizational model of the design ideology,behavior,and industrial chain of the handcrafted workshops in the"Craftsman's Village"Mizukami under the management of agricultural and forestry ecology.It analyzes the generative mechanism of its land art design perspective under endogenous theory,the operational mechanism of workshops under the parallel perspectives of family and ecology,and the organizational structure of the micro-industrial chain with the ecological interaction mechanism.The endogenous model of Mizumachi's design culture has successfully facilitated the transformation of local agricultural and forestry resources into tangible value within the design industry.Simultaneously,it has effectively mobilized the agency of residents and"related populations."This holds significant implications for the transformative revitalization of rural design culture in our country,offering valuable insights into overcoming homogeneity.

关 键 词：内生发展模式 农林资源 土地设计观 家庭品牌 生态循环产业链 

分 类 号：J05[艺术—艺术理论]