从弗朗西斯·培根到芝加哥波普——身体形象语言的隐喻  

From Francis Bacon to Chicago Pop Art:A Metaphor for Body Image Language

作　　者：杨舒文 Yang Shuwen

机构地区：[1]北京服装学院

出　　处：《艺术设计研究》2024年第4期103-111,共9页Art & Design Research

基　　金：北京市教育委员会高等教育本科教育教学改革重点立项项目“以美育人以文化人与美同行—北京服装学院美育教育课程体系建构研究”(项目编号:202210012001)的阶段性成果。

摘　　要：本文以芝加哥波普中的身体形象为研究切入点,以“表现”艺术观念下的绘画语言发展为主要线索,系统梳理了其身体形象在弗朗西斯·培根作品基础上做出的创作理念。这一阶段芝加哥波普对身体形象的展现脱离了60年代经典波普对大众传媒的直接挪用,重新回归到了对绘画本体语言和形式的探索。艺术家们从自身情感表达和文化角色出发,在这些抽象性的具象形象背后将个体普遍存在的焦虑意识和压抑情绪揭示出来,借身体形象引导观者挖掘人类自然生存状态下的情感迸发,更深层次的隐喻则是掩藏于道德诉求和情感诉求之下的严肃社会问题。This paper takes the body image of Chicago Pop Art as the research entry point,takes the development of painting language under the concept of expression as the main clue,and systematically combs the creation of its body image on the basis of Francis Bacon's works.In this stage,Chicago Pop's display of body image broke away from the direct appropriation of mass media by Classic Pop in the 1960s and returned to the exploration of painting ontology,language,and form.Starting from their own emotional expression and cultural roles,artists expose the anxiety consciousness and repressed emotions of individuals behind these abstract figurative images and guide viewers to explore the emotional burst of human beings under the natural state of existence through body images.The deeper metaphors are serious social issues hidden under moral and emotional appeals.

关 键 词：芝加哥波普 弗朗西斯·培根 身体形象 绘画语言 

分 类 号：J05[艺术—艺术理论]