别现代主义哲学和审美学的范畴原创与思维革命  

Bie-modernist Philosophy and Aestheticology:Categorical Innovation and Revolutionary Thinking

作　　者：王建疆[1] WANG Jianjiang(School of Humanities,Shanghai Normal University,Shanghai 200234,China)

机构地区：[1]上海师范大学人文学院,上海200234

出　　处：《河北师范大学学报（哲学社会科学版）》2024年第5期33-41,共9页Journal of Hebei Normal University(Philosophy and Social Sciences)

基　　金：国家社会科学基金项目“别现代语境中英雄空间解构与建构问题研究”(项目编号:15BZW025)。

摘　　要：范畴是指涵盖面较大的具有枢纽作用的概念,具有类别的特点和功能。别现代主义作为原创的学术概念,已经形成了20多个哲学和审美学范畴。这些范畴分布在别现代主义产生之前和之后,具有阶段性特点,但都有着内在的统一性,表现出识别真伪现代,实现现代化的共同价值倾向和思想内涵以及跨越式停顿的思维方式。别现代主义的思维方式具有革命性,这就是在高速发展中突然主动停止,或自动解体,或改弦易辙,在文化艺术发展中表现为传承-切割-创新、借鉴-切割-创新的新模式。其切割即意味着独立的知识产权的形成。别现代主义哲学和审美学就是在有别于的、待别的、跨越式停顿的思维方式指导下的话语创新、理论创新、思想创新。Categories are fundamental concepts with broad scope and essential roles in classification.As a novel academic concept,Bie-modernism has developed over 20 distinct categories within philosophy and aesthetics.These categories span both before and after the emergence of Bie-modernism,exhibiting distinct stages while maintaining an internal coherence with a common purpose of distinguishing authentic modernity from its false counterparts and facilitating genuine modernization.Central to Bie-modernism is a revolutionary mode of thinking,characterized by deliberate pauses in rapid development—moments of self-disintegration or course redirection.In the realms of culture and art,this approach manifests as the cycles of inheritance,disruption,and innovation,as well as reference,disruption,and innovation.The concept of“disruption”serves as the catalyst for developing independent intellectual property.Ultimately,Bie-modernist philosophy and aestheticology represent a radical innovation in discourse,theory,and thought,driven by the“leapfrogging pause”mode of thinking,which sets it apart from other frameworks.

关 键 词：别现代主义哲学 别现代主义审美学 范畴原创 思维革命 

分 类 号：B83[哲学宗教—美学]