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作 者:郑丽霞 ZHENG Lixia(Normal College,Jimei University,Xiamen 361021,China)
出 处:《集美大学学报(哲社版)》2024年第4期76-84,共9页Journal of Jimei University(Philosophy and Social Sciences)
基 金:福建省教育科学“十四五”规划2021年度课题“‘海丝视域下高校《美学与美育》课程思政建设路径研究”(FJJKBK21-196)。
摘 要:新媒介写作作为日益普遍的文学现象,呈现出“向媒介敞开”的写作特点:对作家而言,新媒介写作带来文学作品创作方式、传播途径、发表空间与文体形式的创新变革;对读者或者批评家而言,新媒介使阅读/批评形态、读者规模与传播速度发生剧烈变化,形成“媒介文学”生成机制,环环相扣、相互制约。新媒介文学以其敏锐繁盛的“感觉”、个体生命的“关怀”与日常生活现象的“哲思”,展现着“人文性”特点。“AIGC”文学创作欠缺人性的温情关怀、创造性、想象力与审美态度,而只有以人为主体创作的文学才能弥补这些缺憾,以“碎片化”反抗“碎片化”昭示着新媒介文学的文学价值。这对于当代个体新媒介写作,具有重要启发意义。As an increasingly common literary phenomenon,new media writing presents the characteristics of“open to the media”:for writers,new media writing brings innovative changes in the way of creation,communication,publication space and style of literary works;for readers or critics,the new media brings about drastic changes in the form of reading/criticism,the scale of readers and the speed of dissemination,forming the generation mechanism of“media literature”,which is interlinked and mutually restricted.New media literature,with its keen and flourishing“feeling”,“concern”of individual life and“philosophy”of daily life,shows the characteristics of“humanity”.“AIGC”literary creation lacks humanity s warmth,creativity,imagination and aesthetic attitude,but only the man-created literature can make up for these shortcomings,and the“fragmentation”against“fragmentation”shows the literary value of new media literature.This is of great significance to the contemporary individual s new media writing.
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