在诚意与画意中探寻时代新意——“第十四届全国美展中国画展”观想  

Exploring New Ideas of the Times Through Sincerity and Spirits:Reflections on Visiting the Chinese Painting Exhibition of the 14th National Exhibition of Fine Arts

作　　者：于洋[1,2,3] Yu Yang(Research Department Central Academy of Fine Arts;Central Academy of Fine Arts;China Artists Association)

机构地区：[1]中央美术学院 [2]中央美术学院科研处 [3]中国美术家协会

出　　处：《美术》2024年第9期32-36,共5页Art Magazine

基　　金：国家社科基金艺术学项目“中国革命历史题材美术创作研究”(项目编号:21BF084)的阶段性研究成果。

摘　　要：如果说以中国画本体语言表现时代新变成为新时代中国画创作的重要方向,那么“第十四届全国美术作品展览中国画作品展”则是这一发展历程的重要节点。本文聚焦“第十四届全国美展”中国画作品在主题表达和艺术语汇、形神关系和图式范畴、构图语汇和形式语言、媒材形式和画面样式,及对于写意精神的追寻与转换等方面的问题,进行了较为全面深入的评述与阐发。由此提出,作为本届全国美展中国画优秀作品呈现出的共同特质,在创作者“诚意”和作品“画意”之间探寻时代“新意”,成为新时代中国画创作的未来发展路向。The Chinese Painting Exhibition of the 14th National Exhibition of Fine Arts can be considered a significant milestone as showcasing changes of the times constitutes an important direction for Chinese painting creation in the new era.This article comments and elaborates in a comprehensive and in-depth way on theme expression and artistic language,form-and-spirit relationship and schema,composition language and form language,media and style,as well as the pursuit and transformation of freehand spirits.It believes that exploring"new ideas"of the times through the"sincerity"of artists and the"spirits"of paintings,a common feature of excellent Chinese paintings in the Exhibition,has become a direction that artists will take in Chinese painting creation in the new era.

关 键 词：全国美术作品展 中国画 新时代 画意 守正创新 

分 类 号：J212[艺术—美术]