多变的文艺复兴观——从瓦萨里到布克哈特  

Changing Views on the Renaissance:From Giorgio Vasari to Jacob Burckhardt

作　　者：范白丁 Fan Baiding(School of Art and Humanities,China Academy of Art)

机构地区：[1]中国美术学院艺术人文学院

出　　处：《美术》2024年第9期116-121,135,共7页Art Magazine

基　　金：国家社会科学基金艺术学重大项目《民族复兴与国家重大题材美术创作研究》(项目批准号:21ZD22)子课题《民族复兴视域下的国家叙事》的阶段性研究成果。

摘　　要：从16世纪到20世纪,自意大利诞生的文艺复兴概念经过了数百年的传播与接受,一方面,其内涵定义经历了逐渐明晰确立的过程;另一方面也引发了不同学者对文艺复兴观念的多种理解。长期以来,我们往往聚焦于瓦萨里或布克哈特等人的经典文本来探讨文艺复兴观,从而忽略了他们之外的观念建构者。本文试图追溯从瓦萨里到布克哈特之后文艺复兴观念塑造与演变的主线脉络,并重点围绕作为时期和运动这两种具有代表性的文艺复兴观,考察其历史成因及其对后世的学术影响。The concept of the Renaissance,born in Italy,was gradually defined after being spread from the 16th to the 20th Century and accepted by the public.It was also understood in many ways.For a long time,views on the Renaissance have been discussed on the basis of the classic works of Giorgio Vasari and Jacob Burckhardt,which resulted in an ignorance of others who developed the concept as well.This article traces the development and evolution of the concept of the Renaissance after Giorgio Vasari and Jacob Burckhardt,and examines how the two representative views on period and movement developed and how they influenced later generations academically.

关 键 词：文艺复兴 瓦萨里 布克哈特 时期和运动 

分 类 号：J110.9[艺术—艺术理论]