雄高尔《圣安东尼的磨难》——其图像学以及对德国艺术的影响  

The Torment of St. Anthony by Martin Schongauer:On its Influence on Iconography and German Art

作　　者： 赵津(译) 赵成清(译)[3] Jean Michel Massing;Zhao Jin(Translator);Zhao Chengqing(Translator)(Art History Department,University of Cambridge;Minzu University of China;College of Arts,Sichuan University)

机构地区：[1]剑桥大学艺术史系 [2]中央民族大学 [3]四川大学艺术学院

出　　处：《美术》2024年第9期122-135,共14页Art Magazine

基　　金：四川大学“从0到1”创新研究项目(项目编号:2022CX32)的资助成果。

摘　　要：德国画家、雕塑家雄高尔的《圣安东尼的磨难》是描绘圣安东尼被恶魔攻击的经典作品,其创作灵感源自《安东尼传》中关于圣安东尼的描述。通过将圣安东尼置于空中受恶魔攻击的场景,雄高尔成功展现了圣徒的冷静与从容。该作品对后世德国、意大利等地的艺术家产生了深远影响。本文通过详细分析雄高尔的版画风格、恶魔形象以及与其他艺术作品的关联,探讨其在恶魔图式发展中的独特贡献。The Torment of St.Anthony,created by German painter and sculptor Martin Schongauer who was inspired by the description of the saint in the Life of St.Anthony,is a classic artwork that depicts St.Anthony being attacked by demons,demonstrating successfully the saint's calmness and composure.It has had a profound impact on artists of later generations in Germany,Italy and other countries.This article analyzes in detail Schongauer's print style,demon images and the connection with other artworks,and discusses the artist's unique contribution to the development of demon images.

关 键 词：雄高尔 圣安东尼的磨难 恶魔图式 德国艺术 

分 类 号：J217[艺术—美术]