电视短剧《逃出大英博物馆》的文化诉求探析  

An Analysis of Escape from the British Museum’s Cultural Appeal in TV Short Play

作　　者：王有花 向雅欣 熊天蕊 汪一 程前 Youhua Wang;Yaxin Xiang;Tianrui Xiong;Yi Wang;Qian Cheng(School of Liberal Arts,Hanjiang Normal University,Shiyan Hubei)

机构地区：[1]汉江师范学院文学院,湖北十堰

出　　处：《新闻传播科学》2024年第4期1118-1125,共8页Journalism and Communications

基　　金：“2024年汉江师范学院大学生创新创业训练计划项目”省级项目《电视短剧<逃出大英博物馆>的文化诉求研究》(项目编号:72)的阶段性成果。

摘　　要：《逃出大英博物馆》电视短剧以创意叙事,深刻触及文化身份与文物归还的敏感议题。该剧虚构了一场文物“逃亡”,不仅是对历史伤痕的艺术再现,更是对文化归属权的深情呼唤。它不仅激发了公众对文化遗产保护的热情,也促进了全球范围内对文化尊重与交流的深刻反思。其文化诉求在于唤醒国人对传统文化的珍视与传承意识,同时促进国际间关于文物归属问题的理性对话,展现了文化自觉与民族自豪感的时代风貌。Escape from the British Museum TV short plays narrate creatively,which deeply touches on the sensitive issues of cultural identity and the return of cultural relics.The drama fictionalizes a cultural relic“escape”,which is not only an artistic representation of historical scars,but also an affectionate call for cultural ownership.It not only stimulates the public’s enthusiasm for the protection of cultural heritage,but also promotes the profound reflection on cultural respect and exchange on a global scale.Its cultural appeal lies in awakening Chinese people’s awareness of cherishing and inheriting traditional culture,and at the same time promoting the rational dialogue on the ownership of cultural relics in the world,which shows the era style of cultural consciousness and national pride.

关 键 词：电视短剧 逃出大英博物馆 文化诉求 文化遗产保护 

分 类 号：G63[文化科学—教育学]