神话原型批评视域下的蝴蝶意象  

Butterfly Image from the Perspective of Mythological Archetypal Criticism

作　　者：阮霞 Xia Ruan(College of Literature and Media,China Three Gorges University,Yichang Hubei)

机构地区：[1]三峡大学文学与传媒学院,湖北宜昌

出　　处：《国学（汉斯）》2024年第4期721-728,共8页Chinese Traditional Culture

摘　　要：“蝴蝶”是中国文学频繁使用的一个意象,从神话原型批评视角看,“蝴蝶”在中国文学中具有自由、爱情、伤感易逝的象征原型,产生这种现象的原因除了蝴蝶自身的生物特性外还有时代背景下文人的集体无意识思潮,正是在这种象征原型的传承下,“蝴蝶”在中国文化史中获得了经久不衰的地位。“Butterfly”is an image frequently used in Chinese literature.From the perspective of mythological archetype criticism,“butterfly”in Chinese literature has symbolic archetypes of freedom,love,sadness and perishable.The reason for this phenomenon is not only the biological characteristics of butterfly itself,but also the collective unconscious trend of thought of literati under the back-ground of The Times.“Butterfly”has gained an enduring place in Chinese cultural history.

关 键 词：蝴蝶意象 神话原型批评 象征原型 集体无意识 

分 类 号：I20[文学—中国文学]