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作 者:郭丽[1] Guo Li
机构地区:[1]首都师范大学文学院,100089
出 处:《杜甫研究学刊》2024年第3期78-86,共9页Journal of Du fu Studies
基 金:国家社科基金项目“宋元乐府学典籍研究”(21BZW096)阶段性成果。
摘 要:唐人作有不少歌录,两《唐书》未录唐人歌录的原因是缘于其追求雅正的修史标准,这从其对唐代燕射歌录和燕射歌辞的有意舍弃就已清晰反映。而这样的收录原则也直接影响到了后世歌录的编撰,如郭茂倩在编撰《乐府诗集》时就在燕射歌辞一类中对唐代燕射歌辞一首未录,而将其大量归入专收隋唐以来杂曲的近代曲辞。唐代歌录的留存样态较为复杂,唐人有时会把歌录叫作乐录,而有些收录歌辞的诗集却又不以歌录命名,有些名为乐府的典籍虽然也载录了一些唐人乐府诗,但又不一定是唐代歌录。The Tang has numerous song collections.The reason why the two Histories of the Tang Dynasty did not include Tang song records is due to their pursuit of refined historical standards,as clearly reflected in their deliberate omission of Tang Dynasty banquet song records and lyrics.This principle of inclusion directly influenced the compilation of later song collections.For example,when Guo Maoqian compiled the Collection of Yuefu Poems,he did not include any Tang Dynasty banquet song lyrics in the section on banquet songs,instead categorizing them under modern song lyrics that collected miscellaneous tunes from the Sui and Tang Dynasties onwards.The preservation of Tang Dynasty song records is quite complex.Sometimes,the Tang people referred to song records as music records,and some poetry collections that included song lyrics were not named as song collections.Additionally,some books entitled Yuefu included some Tang Yuefu poems but were not necessarily Tang song collections.
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