论李白赋的屈骚接受  

On Reception of Qu Yuan’s Poetic Style in Li Bai’s Fu Writings

作　　者：刁生虎[1] 班云雷 DIAO Shenghu;BAN Yunei(School of Humanities,Communication University of China,Beijing 100024)

机构地区：[1]中国传媒大学人文学院,北京100024

出　　处：《阜阳师范大学学报（社会科学版）》2024年第4期70-77,共8页Journal of Fuyang Normal University：Social Science

基　　金：北京市教育科学“十四五”规划2023年度优先关注课题“传统美育思想的时代价值与应用研究”(BIEA23007)。

摘　　要：赋作为李白实现理想的载体,是其文学创作的重要组成部分。李白出蜀首站与生活了十年之地是楚地,晚年流放遇赦并游历之地亦是楚地,其赋作中充满了楚文化因子,在语言风格和表现形式上都深受屈骚影响。且由于共同的政治理想与遭遇,李白在传承屈原美政理想的同时,与其忠怨之情产生了跨时空共鸣。但由于身份境遇、所处时代、社会形态、主导文化思想等的不同,李白对屈原之自沉选择却有所保留,足见屈原与李白之间的文学和文化传承关系十分复杂,必须予以辩证审慎分析。As a medium for Li Bai to realize his ideals,Fu(a type of prose poetry)is an essential component of his literary creations.Li Bai’s first stop after leaving Shu and the place where he lived for a decade was the region of Chu,and it was also the region of Chu where he was exiled and pardoned later in life,traveled extensively.His Fu writings are imbued with Chu cultural elements and deeply influenced by Qu Yuan’s poetic style,both in terms of linguistic style and form of expression.Due to shared political ideals and experiences,Li Bai not only inherited Qu Yuan’s ideal of benevolent governance but also resonated with his feelings of loyalty and grievance across time and space.Li Bai had reservations about Qu Yuan’s choice of drowning himself,which must be analyzed dialectically and cautiously.

关 键 词：李白 屈原 赋 屈骚 传承 

分 类 号：I222.4[文学—中国文学]