从“羊甫头”墓出土漆器看汉代云南漆艺审美  

Viewing the Aesthetic of Yunnan Lacquer Art in the Han Dynasty from the Lacquerware Excavated from the Tomb of Yangfutou

作　　者：王维珍 WANG Wei-zhen

机构地区：[1]云南经济管理学院,云南昆明650106

出　　处：《中国生漆》2024年第2期11-14,共4页Journal of Chinese Lacquer

基　　金：2023云南省教育科学规划项目(C2023011162)。

摘　　要：1700多年前,汉代云南漆器从发展至繁荣,逐渐形成了具有本土文化特色的成熟艺术形态。本文以昆明“羊甫头”墓出土的漆器为研究内容,围绕其空间造型、纹样修饰、色彩的运用等推演汉代云南漆艺审美趋向,其中贯穿着云南漆艺发展史等相关知识,为当代从事研究云南漆艺术发展的学者及漆艺创作者提供一定的研究素材和参考材料。More than 1700 years ago,Yunnan lacquerware in the Han Dynasty developed to prosperity and gradually became a mature art form with local cultural characteristics.This article takes the lacquerware unearthed from the tomb of Yangfutou in Kunming as the research example,deduces the aesthetic trend of Yunnan lacquer art in Han Dynasty through its spatial modeling,pattern modification and color collocation,which runs through the development history of Yunnan lacquer art and other related knowledge.It provides certain research materials and reference materials for contemporary lacquer art lovers engaged in Yunnan lacquer art creation and development.

关 键 词：“羊甫头”墓出土漆器 汉代漆艺 审美 

分 类 号：J527[艺术—艺术设计] K234[历史地理—历史学] K876.7[历史地理—中国史]