现代漆画的美学意境与人文精神的融合探讨  

Exploration of the Integration of Aesthetic Conception and Humanistic Spirit in Modern Lacquer Painting

作　　者：孟威妍[1] MENG Wei-yan

机构地区：[1]闽江学院,福建福州350108

出　　处：《中国生漆》2024年第2期55-58,共4页Journal of Chinese Lacquer

摘　　要：当前是个艺术形态百花齐放的时代,漆画以独特、独立且极具鲜明艺术特性的画作形式呈现于大众面前,极受喜爱。经历史的渲染与沉淀,现代漆画艺术形式集新材质、表现形式和时代审美元素于一身,既富含独特且鲜明的美学意境,又蕴含着一定价值内涵的人文精神。本文从现代漆画的内涵理解与特征角度出发,对现代漆画艺术所蕴含的美学意境和人文精神进行分析,并以此为依据,就现代漆画在美学意境和人文精神方面的有效融合进行探讨,仅供参考。It is a time when art forms are in full bloom.Lacquer painting is presented to the public in a unique,independent and highly distinctive artistic form,and to become extremely popular.With the rendering and precipitation of history,modern lacquer painting art forms incorporate new materials,forms of expression and aesthetic elements of the times,which are rich in unique and distinctive aesthetic conception and humanistic spirit with certain value connotation.From the perspective of connotation understanding and characteristics of modern lacquer painting,this paper analyzes the aesthetic context and humanistic spirit contained in modern lacquer painting art,and on this basis,discusses the effective integration of modern lacquer painting in aesthetic context and humanistic spirit,for reference only.

关 键 词：现代漆画 美学意境 人文精神 融合探讨 

分 类 号：J213.9[艺术—美术]