元代青花瓷文化符号的形成与传播研究  

The Formation and Transmission of Cultural Symbols on Yuan Blue and White Porcelain

作　　者：焦成浩 Jiao Chenghao(Jingdezhen Ceramic University,Jiangxi,Jingdezhen,333000,China)

机构地区：[1]景德镇陶瓷大学,江西景德镇333000

出　　处：《陶瓷》2024年第9期68-70,共3页Ceramics

摘　　要：元代是中国瓷器外销的重要时期,元青花作为这一时期的代表性瓷器,其色彩、造型与纹饰深受蒙古族文化、阿拉伯文化和伊斯兰文化影响,形成了独特的艺术风格,并在此基础上形成了以元青花为载体的艺术文化符号。随着元代统治者强大的武力与广泛的贸易向西亚乃至全世界传播,元青花也成为文化交流的载体之一,不仅传播了中国陶瓷艺术,还影响了所到地区的民俗习惯。元青花中的文化符号的形成体现了多种文化的融合,无论是对于历史存续,抑或是文化传播来说,都是珍贵的研究资料。其对于不同文化符号的重构与组合,在当今时代更是对于保持文化自信具有重要指导意义。During the Yuan Dynasty, which was a key period for the export of Chinese ceramics, Yuan Blue-And-White Porcelain emerged as a representative work of this era, featuring colors, shapes, and decorations that were influenced by Mongolian, Arabic, and Islamic cultures, resulting in a unique artistic style. On this basis, the art and cultural symbol of "Yuan blue and white porcelain" has been formed. With the strong military power and extensive trade of the rulers of the Yuan Dynasty, it has been spread to West Asia and even globally through trade routes Yuan Blue And White Porcelain has become one of the media for cultural exchanges, transmitting the art of Chinese pottery, and also affecting the traditional customs of the places it visits.The formation of cultural symbols in Yuan Blue-And-White Porcelain reflects the fusion of various cultures, which is valuable both for historical preservation and cultural transmission.The reconstruction and combination of different cultural symbols are especially important for maintaining cultural confidence today.

关 键 词：元青花 文化符号 蒙古族文化 

分 类 号：TQ174.74[化学工程—陶瓷工业]