《长生殿》的季节叙事及其功能  

Seasonal Narratives and Their Functions in The Palace of Eternal Life

作　　者：许爱珠 叶萌萌 XU Aizhu;YE Mengmeng(School of Humanities and Social Sciences,East China Jiaotong University,Nanchang 330013,China)

机构地区：[1]华东交通大学人文社会科学学院,江西南昌330013

出　　处：《中北大学学报（社会科学版）》2024年第5期69-74,共6页Journal of North University of China：Social Science Edition

基　　金：江西省社会科学“十三五”(2020年)基金项目:5G视域下赣剧艺术的创新性发展(20YS03)。

摘　　要：明清传奇中有很多戏曲通过季节的变化来表达作者的思想,剧中季节情境的改变有利于表现剧中人物情感,建构戏曲结构,同时还具有隐喻和象征的意义。洪昇的《长生殿》作为一部优秀的明清传奇作品,非常注重运用春秋两季的事物来烘托气氛,剧中呈现出的季节意识具有重要功能,值得深入探析。In Ming and Qing Dynasties,many operas use the change of seasons to express the authors’thoughts.The shifts in seasonal settings within the plays help to convey the emotions of the characters and construct the structure of the opera,while also carrying metaphorical and symbolic meanings.Hong Sheng’s The Palace of Eternal Life,as an outstanding work of Ming and Qing chuanqi,pays significant attention to using elements of spring and autumn to enhance the atmosphere.The seasonal consciousness presented in the play serves important functions and merits in-depth analysis.

关 键 词：《长生殿》 季节叙事 洪昇 至情 

分 类 号：I207.37[文学—中国文学]