全景视频:戏剧现场性的视觉重构  

Panoramic Video:a Visual Reconstruction of Theatrical Liveness

作　　者：章磊[1] ZHANG Lei

机构地区：[1]金华职业技术学院,金华321017

出　　处：《浙江艺术职业学院学报》2024年第2期46-51,共6页Journal of Zhejiang Vocational Academy of Art

基　　金：浙江省教育厅科研项目“影视语言在全景影片中的活化研究”研究成果。(项目编号:Y201941581)。

摘　　要：全景视频技术是一种能提供360°全视角画面的影视制作技术。由于具备革命性的沉浸式体验,这一技术逐渐被应用到了商业广告、影视戏剧、舞台表演等各领域,突破性的视觉形式革新了人们的观看体验,开启了全景式观影模式的新风潮。传统戏曲以剧场舞台为载体,其展示和传播受空间约束较大,尤其是在多媒体时代,这种依托舞台进行呈现的表演艺术形式自身的局限性便更加突出。以技术补充的态度讨论戏剧的现场性和媒介化视觉重构之间的关系,在分析全景拍摄技术特征的基础上,重点探究如何运用全景拍摄技术对戏剧表演现场性进行媒介重构,以技术和艺术相互融合共生的理念探讨全景视频对当代戏剧发展在叙述、形态上的影响和作用。Panoramic video technology is a film and television production technology that can provide a 360°panoramic view.Due to the revolutionary immersive experience,this technology has gradually been applied to commercial advertising,film and television drama,stage performances and other fields.The breakthrough visual form has revolutionized people’s viewing experience.It has opened a new trend of panoramic viewing mode.Taking the theater stage as a carrier,the display and dissemination of traditional,opera is constrained by the space.In the multimedia era,the limitations will be more prominent.This paper discusses the relationship between the live nature of drama and the visual reconstruction of media with the attitude of technical supplementation.On the basis of analyzing the characteristics of panoramic filming technology,the paper focuses on exploring how to use panoramic filming technology to reconstruct the live nature of drama performances,and discusses the influence and role of panoramic video on the development of contemporary drama in terms of narration and form with the concept of the symbiosis of technology and art integration.

关 键 词：全景拍摄技术 戏剧表演 沉浸感 现场性 

分 类 号：G642[文化科学—高等教育学]