数字“影像事实”的发生学与媒介哲学追问  

Exploring Digital"Image Facts":A Developmental and Media Philosophical Inquiry

作　　者：虞吉[1] 秦可 Yu Ji;Qin Ke

机构地区：[1]西南大学新闻传媒学院

出　　处：《戏剧（中央戏剧学院学报）》2024年第4期38-46,共9页Drama:The Journal of the Central Academy of Drama

摘　　要：面对数字技术、D梯技术全面取代传统摄影术所造成的本体论和知识体系危机,应对之策只能是基于媒介哲学认知的重构。重回媒介特质的历时性审视引发了对“影像”介质的质疑。而“弃影存像”实施“像上建构”的理性主张,则开启了具有本土历史资源的知识智慧的学理路径。沿此路径而行,在“像”上重建数字影像事实的阐释理论与知识体系的大厦,就不再是所谓现象学与经验论体感范畴的“硬转”。In the face of the ontological and epistemological crisis of caused by the total replacement of traditional photography by digital technology and D-ladder technology,the response can only be based on the reconstruction of media philosophy cognition.Returning to a historical examination of media qualities prompts a questioning of the medium of"image".The rational proposition of"abandoning film and keeping the image"and implementing"construction on the image"paves a theoretical path of intellectual wisdom with local historical resources.Along this path,the reconstruction of the interpretation theory and knowledge system of digital image facts on the"image"is no longer merely the so-called"hard turn"of phenomenology and empiricism.

关 键 词：本体论危机 像 像化叙述 弃影存像 

分 类 号：J90[艺术—电影电视艺术]