恋地情结:满洲窗在现代中式家具中的创新设计策略与方法  

Topophilia:The Innovative Design Strategy and Method of Manchu Window in Modern Chinese Furniture

作　　者：薛拥军[1] 刘雅萌 罗婷 Xue Yongjun;Liu Yameng;Luo Ting

机构地区：[1]华南农业大学艺术学院,广东广州510642

出　　处：《家具与室内装饰》2024年第7期28-33,共6页Furniture & Interior Design

基　　金：2021教育部人文社会科学研究一般项目(21YJA760078)。

摘　　要：文章以广式满洲窗元素的现代中式家具为研究对象,以恋地情节为理论切入点来探讨传统满洲窗元素融入现代中式家具创新设计的策略、方法与路径,期望实现岭南地域文化传承与发展的目的。文章首先对满洲窗的起源、发展及特点展开详细论述,总结分析了现代中式家具与满洲窗装饰文化之间的联系,并结合恋地情节相关理论提出规范性视角与设计经验理念形成、存在性视角与设计感知价值体现、处境性视角与设计文化环境塑造的模式构建手法,探索满洲窗装饰文化与现代中式家具易于实施的创新设计策略与方法,并以实际作品案例对其进行设计论证,以期为现代中式家具的创新设计研究提供借鉴与启示,同时也为岭南地区传统艺术和文化的创新发展注入新的活力。The article takes modern Chinese furniture with Cantonese Manchu window elements as the research object and takes topophilia as the theoretical entry point to explore the strategy,method,and path of integrating traditional Manchu window elements into the modern Chinese furniture innovation design,hoping to realize the purpose of Lingnan regional culture inheritance and development.The article firstly discusses the origin,development,and characteristics of Manchu windows in detail,summarizing and analyzing the connection between modern Chinese furniture and Manchu window decoration culture,and combined with the theories related to topophilia,it puts forward the normative perspective and design experience concept formation,existential perspective and design perceived value embodiment,situational perspective,and the mode construction method of shaping the design cultural environment.To explore the innovation design strategies and methods of Manchu window decoration culture and modern Chinese furniture that are easy to implement and the actual works of the case to demonstrate its design,in order to provide reference and inspiration for the innovative design research of modern Chinese furniture and to inject new vitality into the new development of traditional art and culture in the Lingnan region.

关 键 词：家具设计 广式满洲窗 现代中式家具 创新模式建构 

分 类 号：TS664.1[轻工技术与工程]