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作 者:杨志勇[1] Yang Zhiyong
机构地区:[1]太原师范学院,山西晋中030619
出 处:《家具与室内装饰》2024年第7期57-63,共7页Furniture & Interior Design
基 金:山西省哲学社会科学基金项目“‘非遗'语境下山西戏曲盔头制作技艺传承与创新研究”(2019B356);山西省社科联2023-2024年度重点课题研究项目“乡村振兴战略下山西乡村闲置空间的再生策略研究”(SSKLZDKT2023113)。
摘 要:非物质文化遗产的保护和创新是推进乡村振兴战略的重要途径。提升体验者对晋剧盔饰整体意象的认知,探究非遗工坊体验家具形态设计的创新方法,挖掘非遗元素在家具设计中的趣味性。采用KE-FAHP-DT框架来增强非遗传承人、体验者、家具以及空间之间的联系,以得到更为直观的设计体验。其次,应用模糊层次分析法(FAHP)对用户需求进行细致剖析,以此为依据确定非遗体验家具设计的功能特性。此外,对消费者评论以及用户的感性评价使用自组织映射(SOM)方法进行分析,明确用户在非遗体验和情感偏好方面对非遗活化的影响。该分析与设计方法不仅为晋剧盔饰元素在体验类家具形态设计中的应用开拓了新视角,强调了用户中心设计在非遗产业发展中的重要性,还为同类型非遗工坊体验类家具设计提供了依据和借鉴。The protection and innovation of intangible cultural heritage is a crucial approach to promoting rural revitalization strategies.This research aims to enhance participants’understanding of the overall imagery of Jin Opera helmet decorations,explore innovative methods for designing experiential furniture in non-heritage workshops,and uncover the playful potential of integrating non-heritage elements into furniture design.The KE-FAHP-DT framework is employed to strengthen the connection between intangible cultural heritage inheritors,participants,furniture,and space,resulting in a more intuitive design engagement and experience.Additionally,Fuzzy Analytic Hierarchy Process(FAHP)is applied to thoroughly analyze user needs,forming the basis for determining the functional characteristics of non-heritage experiential furniture design.Furthermore,consumer feedback and perceptual evaluations are analyzed using the Self-Organizing Map(SOM)method to clarify how users’experiences and emotional preferences influence the revitalization of non-heritage elements.This analysis and design methodology not only opens new perspectives for incorporating Jin Opera helmet elements into experiential furniture design but also emphasizes the significance of user-centered design in the development of the intangible cultural heritage industry.It provides a foundation and reference for designing experiential furniture in similar non-heritage workshops.
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