视觉动力学下醴陵釉下五彩瓷绘装饰设计研究  

Research on Decorative Design of Liling Underglaze Polychrome Porcelain under Visual Dynamics

作　　者：刘宇欢 张玉山[1] Liu Yuhuan;Zhang Yushan

机构地区：[1]中南林业科技大学中国文化创意研究中心,湖南长沙410004

出　　处：《家具与室内装饰》2024年第7期91-97,共7页Furniture & Interior Design

基　　金：文化和旅游部文化艺术研究项目“湘江流域陶瓷文化基因谱系研究”(23DG015)。

摘　　要：借助阿恩海姆视觉动力学原理,辅助醴陵釉下五彩瓷绘装饰形态,从以绘制经验为主导转移到以理性设计模型为主导的整体性设计模式之中。先通过跨学科研究法对阿恩海姆视知觉形式动力原理进行分析,探索其与醴陵釉下五彩瓷绘装饰间的关联;然后运用对比分析法重点挖掘知觉力理论的调节策略,在把握醴陵釉下五彩瓷的装饰性语言基础上,从动力式样、动力布局两方面优化醴陵釉下五彩瓷绘装饰的艺术形态,塑造整体式的装饰布局。视知觉形式动力理论的融入,架起了用户与产品之间,图像叙事与情感体验之间的桥梁,为挖掘用户需求的产品转化提供了一个全新的视角,为釉下五彩瓷的“活态化”传承与推广提供参考。Utilizing Arnheim's principles of visual dynamics,this research aids the decorative design of Liling underglaze polychrome porcelain,shifting from experience-based painting to a holistic design model guided by rational design principles.Initially,interdisciplinary methods are employed to analyze Arnheim's principles of visual dynamics,exploring their correlation with Liling underglaze polychrome porcelain decorations.Subsequent comparative analyses focus on perceptual dynamics strategies,optimizing the artistic form of Liling underglaze polychrome porcelain decorations through dynamic patterns and layouts,thus crafting an integrated decorative configuration.The integration of visual dynamics theory bridges the gap between users and products,and between image narratives and emotional experiences,offering a novel perspective for transforming user needs into product solutions and providing insights for the dynamic preservation and promotion of underglaze polychrome porcelain.

关 键 词：视知觉形式动力 醴陵釉下五彩 瓷绘装饰 动力 

分 类 号：TS664.1[轻工技术与工程]