20世纪前期中国现代设计团体的发生研究  

A Study of the Occurrence of Modern Design Groups in China in the Early 20th Century

作　　者：王圆圆 信孟晓 WANG Yuanyuan;XIN Mengxiao(Wuhan Institute Of Technology,430205 Wuhan Hubei)

机构地区：[1]武汉工程大学,湖北武汉430205

出　　处：《设计艺术研究》2024年第4期124-127,共4页Design Research

基　　金：2020年度武汉工程大学人文社科基金项目(20QD57)。

摘　　要：以跨文化为研究视角,探讨20世纪初期在中西文化交融与碰撞的背景下中国产生的三类现代设计团体:美育救国思潮下创立的艺专团体、美术社团发展中孕育的行业团体、商业市场竞争中滋生的企业团体。不同设计团体成员之间有着交织与重叠的多重身份,但在发展方向上却自觉或不自觉地通过中西融合的方式,以西化为手段,都赋予中国设计现代化精神内核,使中国现代设计走向本土化与民族化。Taking cross-cultural perspective,this paper explores three types of modern design groups that emerged in China in the early 20th century against the background of the fusion and collision of Chinese and Western cultures,i.e.,art college groups created under the ideology of aesthetic education to save the country,industry groups bred in the development of fine arts associations,and enterprise groups bred in the competition of the commercial market.The members of different design groups have multiple identities that are intertwined and overlapped,but in the direction of development,they consciously or unconsciously,through the fusion of the East and the West,and by means of Westernization,all of them have given Chinese design a modernized spiritual kernel,so that Chinese modern design is moving towards localization and nationalization.

关 键 词：20世纪前期 中国设计团体 跨文化 现代化 发生 

分 类 号：J503[艺术—艺术设计]