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机构地区:[1]不详 [2]北京电影学院文学系
出 处:《电影艺术》2024年第5期95-98,共4页Film Art
摘 要:闫非、彭大魔两位导演在访谈中,介绍了《抓娃娃》这部高票房喜剧的缘起,并对电影中运用的部分喜剧技巧进行了说明。两位导演认为喜剧创作需要用真情实感来连接荒诞和现实,“可爱的意外”和“讽刺性”是喜剧不可或缺的部分,但与此同时,传递温暖与幸福感也非常重要。对于影片中家长的教育方式引起的热议,两位导演认为影片中家长和孩子两方视点的切换,就是希望双方都可以被理解和共情—争取大多数观众一直就是两位导演的市场目标。Directors Yan Fei and Peng Damo introduced the origin of the high-grossing comedy Successor in the interview,and explained some of the comedic techniques used in the film.They believe that comedic creation requires genuine emotions to connect the absurd with reality,and that“cute accidents”and“satirical elements”are indispensable parts of comedy.However,at the same time,it is also important to convey warmth and a sense of happiness.Regarding the heated debate over the parenting methods in the film,the two directors believe that the switch between the perspectives of parents and children is intended to make both sides understandable and empathetic-winning over the majority of the audience has always been the market target of the two directors.
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