温度与共鸣:美术馆展览的主体性建构与社会互通  

Temperature and Resonance:the Subjectivity Construction and Social Interaction of Art Museum Exhibitions

作　　者：王绍强[1] Wang Shaoqiang

机构地区：[1]广东美术馆

出　　处：《美术观察》2024年第9期18-21,共4页Art Observation

摘　　要：本文旨在探讨现代美术馆展览中主体性建构的重要性及其与社会互动的融合。通过对今年举办的广州设计三年展“有温度的存在”进行分析,揭示了展览如何通过策展理念、展品选择、空间设计和文本解说等方面来传达深层次的文化内涵和人文价值。文章着重讨论了观众互动在促进展览主题共鸣中的关键作用,以及展览如何在不同文化和社会语境中与观众产生情感和思想上的共鸣,从而实现艺术与公众之间的深层次沟通。This paper aims to explore the significance of subjectivity construction in contemporary art museum exhibitions and its integration with social interaction.Through an analysis of the Guangzhou Design Triennial 2024,with its theme"The Warm-beings",the paper reveals how the exhibition conveys deep cultural connotations and humanistic values through curatorial concepts,selection of exhibits,spatial design,and textual interpretation.The discussion focuses on the critical role of audience interaction in fostering resonance with the exhibition's theme,and how the exhibition achieves emotional and intellectual engagement with viewers across different cultures and social contexts,thus facilitates profound communication between art and the public.

关 键 词：展览主体性 策展理念 文化共鸣 社会互动 现当代美术馆 

分 类 号：J124[艺术—艺术理论]