意写妙姿 得意忘象——岳海涛戏曲人物油画评析  

Writing with Intentions and Forgetting the Images-Comments on Yue Haitao's Oil Paintings on Opera Figures

作　　者：岳一川 Yue Yichuan

机构地区：[1]首都师范大学

出　　处：《美术观察》2024年第9期140-142,共3页Art Observation

摘　　要：戏曲人物题材油画早在20世纪初便已经初见端倪,这是戏曲人物油画“中西结合”“中体西用”的开端。本文通过讨论山东师范大学美术学院教授岳海涛二十余年来戏曲油画的创作历程,结合其写意性技法以及以“气韵”“得意忘象”为主导的美学观,探讨其作品背后的东方文化意境和艺术价值。Opera-figure-themed oil paintings had already shown initial signs as early as the beginning of the 20th century.This was the beginning of the"combination of Chinese and Western"and"Chinese essence and Western application"in opera figure oil paintings.This article explores the oriental cultural artistic conception and artistic value behind the works by discussing the creative process,freehand techniques and the aesthetic concepts dominated by"vitality and rhythm"and"attaining the essence and disregarding the form"of Professor Yue Haitao from the Academy of Fine Arts of Shandong Normal University in his more than twenty years of creating opera oil paintings.

关 键 词：岳海涛 戏曲人物油画创作 以形写神 中西结合 

分 类 号：J213[艺术—美术]