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作 者:黄仲山[1] HUANG Zhongshan
机构地区:[1]北京市社会科学院文化研究所
出 处:《社会科学》2024年第8期89-98,共10页Journal of Social Sciences
基 金:国家社会科学基金重大项目“美学与艺术学关键词研究”(项目编号:17ZDA017)的阶段性成果。
摘 要:新世纪城市文学发展受到美学的深刻影响,城市文学书写成为城市美学建构的一种重要方式,拓展了城市审美的边界,塑造了新的审美主体关系,并生成新的审美话语表达体系。近二三十年,城市文学由于快速发展而未充分沉淀,在美学建构中呈现出性别、代际、地域等方面的差异性,同时也存在明显的雷同化倾向。此外,城市美学作为“接点的美学”,在中西、古今、自然与人文等“接点”上,美学为城市文学审视城市美学风貌和意蕴、探寻文学表达与美学建构的融通路径提供了诸多启示。新世纪文学与美学的发展同向同行,应该继续强化二者的联系,拓展城市审美建构的视野,在城市审美精神塑造、审美意象整合、审美问题阐发、审美实践介入等方面形成互证、互释、互参的关系。The development of urban literature in the new century has been deeply influenced by aesthetics.The writing of urban literature has become an important way of constructing urban aesthetics,which expands the boundary of urban aesthetics,shapes the new aesthetic subject relationship,and generates a new aesthetic discourse expression system.In the past 20 to 30 years,urban literature has not fully developed due to its rapid development.In the aesthetic construction,there are differences in gender,generation and region,and there is also an obvious tendency of similarity.In addition,urban aesthetics,as the“aesthetics of contact point”,at the“contact point”of Chinese and western,ancient and modern,nature and humanity,aesthetics provides a lot of enlightenment for urban literature to examine the urban aesthetic style and implication,and to explore the integration path between literary expression and aesthetic construction.The development of literature and aesthetics in the new century goes in the same direction,so we should continue to strengthen the connection between them,expand the vision of urban aesthetic construction,and form the relationship of mutual proof,mutual interpretation and mutual reference in the shaping of urban aesthetic spirit,the integration of aesthetic image,the elaboration of aesthetic problems,and the intervention of aesthetic practice,and so on.
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