越界与变脸:激进文艺思潮的前世今生(三人谈)  

Crossing Boundaries and Changing Faces:The Past and Present of Radical Thoughts:A Discussion

作　　者：刘康[1] 单小曦[2] 刘欣 LIU Kang;SHAN Xiaoxi;LIU Xin(Asian&Middle Eastern Studies,Duke University,Durham 27708;School of Humanities,Hangzhou Normal University,Hangzhou 311121)

机构地区：[1]杜克大学亚洲与中东研究系,达勒姆27708 [2]杭州师范大学人文学院,杭州311121

出　　处：《文化艺术研究》2024年第4期10-17,110,共9页Studies in Culture and Art

摘　　要：激进思潮与文艺有不解之缘。从法国大革命、俄国革命到中国革命,感性的文艺与政治的询唤永远在纠缠打斗。20世纪60年代席卷全球的激进运动,既产生了鲍勃·迪伦、滚石乐队,也推起了福柯、德勒兹以及今天在中国大热的齐泽克、巴迪乌、韩炳哲等。激进思潮不断越界、变脸,挟互联网之便利,与全球盛行的民族主义-民粹主义推波助澜,各种意识形态话术病毒式传播,去疆域化成了部落化,为充满不确定性的世界添加更多焦虑和撕裂。聚焦“后学”激进文艺思潮的半个多世纪的演变,从激进文艺理论的美国化、中国化的角度,反思情绪骚动(或曰“情动”)与理性实践的失衡,乃是知识人的职责所在。Radical thoughts share an inseparable connection with art.From the French Revolution and the Russian Revolution to the Chinese Revolution,art and politics have been intertwined.The global radical movements in the 1960s not only gave rise to figures like Bob Dylan and The Rolling Stones but also propelled thinkers like Foucault,Deleuze,Žižek,Badiou,and Byung-Chul Han.Radical thoughts continuously cross boundaries and change faces,exploiting the convenience of the Internet to ride the global wave of nationalism-populism and virus-spreading ideological rhetoric.This process of deterritorialization has led to tribalization,adding anxiety and division to an uncertain world.Focusing on"post-",the evolution of radical thoughts over the past half-century,particularly its Americanization and Sinicization,brings reflections on the imbalance between emotional upheaval(or affect)and rational practice,which is a responsibility of intellectuals.

关 键 词：激进思潮 美国化 中国化 情动 齐泽克 韩炳哲 

分 类 号：I0[文学—文学理论]