庆典仪式和文化记忆——纪念西南第一届戏剧展览会80周年  

Celebration Ceremony and Cultural Memory:The 80^(th) Anniversary of the First Southwest Drama Exhibition

作　　者：胡志毅[1] HU Zhiyi(College of Media and International Culture,Zhejiang University,Hangzhou 310030)

机构地区：[1]浙江大学传播与国际文化学院,杭州310030

出　　处：《文化艺术研究》2024年第4期26-32,111,共8页Studies in Culture and Art

基　　金：国家社科基金重大项目“中国近现代话剧文献补遗与集成研究”(项目编号:22&ZD270)的阶段性成果。

摘　　要：1944年,在欧阳予倩、田汉、熊佛西、瞿白音等人的倡导下,西南第一届戏剧展览会在桂林举办。来自西南八省的28个单位、895位演职员参加了演出,与会者达千人之数。演出剧目有话剧23个,歌剧1个,平剧29个,桂剧8个等,总计演出170场,观众达十多万人次。西南第一届戏剧展览会具备人类学家维克多·特纳所谓庆典的三要素:“精神”发言人、戏剧节的创作者的作品、戏剧节的欢腾场面的记忆。用皮埃尔·诺拉的“记忆之场”学说,从庆典仪式、作品展现、文化记忆、剧展意义四个方面来阐释,它已作为一种庆典仪式和文化记忆载入中国现代戏剧史册。In 1944,The First Southwest Drama Exhibition was held in Guilin,advocated by Ouyang Yuqian,Tian Han,Xiong Foxi,Qu Baiyin,and others.The event saw participation from 28 organizations and 895 performers from eight southwestern provinces,attracting over a thousand attendees.The performances included 23 plays,1 opera,29 Pingju,8 Guiju,among others,totaling 170 shows with an audience exceeding one hundred thousand.The Exhibition embodies the three elements of celebration identified by Victor Turner:honorary spokespersons,works by the founders of the festival,and the memory of the festive scenes.From the perspective of Pierre Nora's"places of memory",this paper examines the exhibition from four perspectives:celebration ceremony,work presentation,cultural memory,and significance.It has been recorded in the history of modern Chinese drama as a celebration ceremony and a cultural memory.

关 键 词：庆典仪式 文化记忆 西南第一届戏剧展览会 桂林 

分 类 号：J82[艺术—戏剧戏曲]