我与理想周旋久:中国Z世代音乐剧粉丝的表演分析  

Dance with My Dream:An Analysis of the Performance of Chinese Generation Z Musical Fans

作　　者：韩乐乐 HAN Lele(Department of Dramatic Literature,Shanghai Theatre Academy,Shanghai 200040)

机构地区：[1]上海戏剧学院戏剧文学系,上海200040

出　　处：《文化艺术研究》2024年第4期65-76,114,共13页Studies in Culture and Art

摘　　要：中国Z世代音乐剧粉丝的歌舞表演介于社会表演和艺术表演之间。对于身处青春期阈限状态的青少年群体,音乐剧成为大众化的自我探索工具,帮助他们突破专业表演训练和创作能力的限制,通过歌舞实现内心世界的转变,甚至过渡至新的身份状态和社会现实。在个体独白和剧班合作的表演框架中,粉丝以爱欲为动力,上演理想主义、革命友谊主题的音乐剧片段,从而在扮演社会期待的规范角色之余,追求并形塑个人期待的理想身份。The song and dance performances of Chinese Generation Z musical fans stand between social performance and artistic expression.For teenagers in a transitional state,musicals serve as a popular tool for self-exploration.These performances help them transcend limitations in performance and creativity,facilitating a transformation of their inner world through song and dance,and even enabling transitions to new identities and social realities.Within the framework of individual monologues and troupe collaborations,fans are driven by eros to perform musical excerpts that embody idealism and comradeship.In doing so,they pursue and shape their ideal identities while fulfilling the roles expected by society.

关 键 词：音乐剧 粉丝 Z世代 表演性 

分 类 号：J822[艺术—戏剧戏曲]