从《神弦歌》看六朝民间信仰的复杂性  

From Shenxian Poems to See the Complexities of Folk Beliefs in the Six Dynasties

作　　者：郑磊 袁绣柏[1] ZHENG Lei;YUAN Xiubai(Shenyang Normal University,Shenyang 110034,China)

机构地区：[1]沈阳师范大学文学院,辽宁沈阳110034

出　　处：《金陵科技学院学报（社会科学版）》2024年第3期77-84,共8页Journal of Jinling Institute of Technology(Social Sciences Edition)

摘　　要：《神弦歌》是六朝时期建康地区民间祭祀杂神的乐曲。察其所祭之神,既有被视为巫信仰的自然神灵,又有道教众神;视其祭祀仪式,既沿袭巫祭“迎神—祭神—送神”的模式,又模仿道教斋醮仪式。这反映了《神弦歌》巫与道相交融的特点,也体现了民间信仰的复杂性。这一特点的产生主要有创作群体和文化交融两方面的原因,凸显了建康地区文化信仰的时代特色和地域特色。Shenxian Poems is a folk song used to worship various gods in the Jiankang area in the Six Dynasties.Observing the gods people worshiped,there are both natural gods associated with witchcraft,and Taoist gods.From the worship ceremony to see,it not only follows the customary mode of witchcraft rituals of greeting gods-worshiping gods-sending gods,but also imitates the Taoist ritual of Zhaijiao.This reflects the characteristics of the integration of witchcraft and Taoism,as well as the complexities of folk beliefs in the Six Dynasties.The generation of the characteristic is mostly the result of two factors,the creative group and cultural integration,which highlights the contemporary and regional characteristics of the cultural beliefs in Jiankang area.

关 键 词：《神弦歌》 巫教 道教 民间信仰 吴声歌曲 

分 类 号：I207.2[文学—中国文学]