创意写作语境下“神思”范畴对小说构思的启示  

The Enlightenment of"Shen Si"Category for the Fiction Conception in the Context of Creative Writing

作　　者：高喜锋 Gao Xifeng(School of Humanities and Arts,Xi'an International University,Xi'an,Shaanxi,China 710077;Faculty of Liberal Arts,Northwest University,Xi'an,Shaanxi,China 710127)

机构地区：[1]西安外事学院人文艺术学院,陕西西安710077 [2]西北大学文学院,陕西西安710127

出　　处：《内蒙古师范大学学报（哲学社会科学版）》2024年第3期103-109,共7页Journal of Inner Mongolia Normal University：Philosophy and Social Sciences Edition

基　　金：国家社会科学基金重大项目“世界创意写作前沿理论文献的翻译、整理与研究(23&ZD294)”子课题“中国特色创意写作理论资料整理研究”研究成果之一。

摘　　要：创意写作理论的发展离不开对经典文论范畴的借鉴,“范畴阐释”是打通这一路径的关键。“神思”作为刘勰《文心雕龙》创作论的首篇,对传统文学构思、文学想象影响甚大,藉以“范畴阐释”方法在“理解-解释-应用”三重解释学维度上重新释读“神思”文本,探析其创意构思价值,透视“神思”在小说创作中的构思心态、积学妙想和心物统一论的有益启示,进而为中国特色创意写作理论的成熟和壮大提供助推力量。Reference to literary classics category is necessary for the development of creative writing theory and thus"category interpretation"is a key approach.As the first part of Liu Xie's Wenxin Diaolong,"Shen Si"has a great influence on traditional literary conception and imagination.Based on the method of"category interpretation",the text of"Shen Si"is reinterpreted from the triple dimension of"comprehension-explication-application'so as to explore its innovative,imaginary and unified values in fiction creation,which provides references for the development of creative writing theory with Chinese characteristics.

关 键 词：创意写作 范畴阐释 “神思” 小说构思 

分 类 号：I207.4[文学—中国文学]