“坐忘”:沈周山水画中的道家思想  

“Sitting and Forgetting”:Taoist Thought in Shen Zhou’s Landscape Paintings

作　　者：杨泳来 YANG Yong lai(Nanjing Normal University,Nanjing 210023,China)

机构地区：[1]南京师范大学,江苏南京210023

出　　处：《哈尔滨学院学报》2024年第8期114-117,共4页Journal of Harbin University

摘　　要：沈周山水画中的思想意境与老庄的“坐忘”论相契合。文章从沈周所处的时代背景、家世渊源、交友往来等方面探寻其与道家思想,尤其是与“坐忘”的联系,并以《夜坐图》中的跋文《夜坐记》为例,阐释“静境”与“澹如”是沈周“坐忘”的准备与结果。The ideological and artistic conception in Shen Zhou’s landscape paintings is in line with Lao Zhuang’s theory of“sitting and forgetting”.The article explores the connection between Shen Zhou and Taoist thought,especially with the concept of“sitting and forgetting”,from the perspective of his historical background,family background,and social interactions.Taking the postscript“Night Sitting Record”in the“Night Sitting Picture”as an example,it explains the preparation and result of Shen Zhous“sitting and forgetting”from the aspects of stillness and tranquility.

关 键 词：沈周 道家思想 坐忘 《夜坐记》 “静境” “澹如” 

分 类 号：J20-05[艺术—美术]