王弼“得意忘象”美学思想的内涵、启示与效应  

The Connotation,Enlightenment and Effect of Wang Bi's Aesthetic Thought of"Grasping the Ideas and Forgetting the Emblems"

作　　者：柴源 CHAI Yuan(School of Media Convergence,Chongqing College of International Business and Economics,Chongqing 401520)

机构地区：[1]重庆对外经贸学院影视融媒体学院,重庆401520

出　　处：《甘肃高师学报》2024年第4期67-72,共6页Journal of Gansu Normal Colleges

摘　　要：王弼提出了“得意忘象”的命题,为中国古典文化中的美学思想提供了一种独特的审美范式。从内涵来看,他基于魏晋时期的政治背景与精神语境,将言、象、意三者相互交融、难以分割的文辞关系,向关注内在人格、追求精神独立、解放与超越的美学思想进行转变。从启示来看,“得意忘象”为艺术本体、审美观照以及艺术形式与整体间关系的探讨提供了一定的理论基础,其具有三重向度的美学思想为探寻人性的独立与艺术创作的自由奠定依据。从效应来看,王弼的思想依托于魏晋时期的社会风气,蕴含着人格之美与生态之美,体现在对“圣人”人格的塑造以及追求自然之美的艺术创作中。Wang Bi put forward the proposition of"grasping the ideas and forgetting the emblems",which provided a unique aesthetic paradigm for the aesthetic thought in Chinese classical culture.From the perspective of connotation,based on the political background and spiritual context of Wei and Jin Dynasties,he transformed the inextricable relationship between words,images and meanings into an aesthetic thought focusing on inner personality and pursuing spiritual independence,liberation and transcendence.From the perspective of revelation,"grasping the ideas and forgetting the emblems"provides a certain theoretical basis for the exploration of art noumenon,aesthetic observation and the relationship between art form and the whole,and its three-dimensional aesthetic thought lays a basis for exploring the independence of human nature and the freedom of artistic creation.From the effect point of view,Wang Bi's thought relies on the social atmosphere of Wei and Jin Dynasties,which contains the beauty of personality and ecology,which is reflected in the shaping of"sage"personality and the pursuit of natural beauty in artistic creation.

关 键 词：王弼 得意忘象 美学思想 

分 类 号：B83-09[哲学宗教—美学]