论刘宋时期嵇康形象的符号化及文化意义  

On the symbolization and cultural significance of Ji Kang’s Image in the Liu-Song Period

作　　者：李鹏[1,2] 周忠元 Li Peng;Zhou Zhongyuan

机构地区：[1]临沂大学传统文化传承与创新团队 [2]临沂大学文学院,山东临沂276005

出　　处：《中州学刊》2024年第9期125-132,共8页Academic Journal of Zhongzhou

基　　金：山东省高等学校青年创新团队项目“传统文艺精神蕴藉数字化实现路径研究”(2021RW023)。

摘　　要：嵇康名士形象的多方位立体解读与构建,主要完成于刘宋时期。陈寿《三国志》对嵇康记载简略,刘宋时期是嵇康事迹、传记撰写最为丰富的重要阶段。在刘宋时期,嵇康的形象更加固定,呈现出文化符号的特征。他们以绘画方式将嵇康名士形象可视化,以文学描写将其固定化,以“嵇生琴”等文学意象加以强化。相较于两晋士人对嵇康艺术的、审美的、毫无功利的、纯粹的欣赏与赞美,刘宋士人对嵇康的接受与理解则有其深切的政治动因。刘宋士人对嵇康的追念既是对现实的对抗,又是情感上获得共鸣与自我宽解、心灵寄托的需要,从而形成了嵇康的立体多重艺术形象及文化符号意义,影响深远。The multi-dimensional interpretation and construction of the image of ji Kang as a famous scholar was mainly completed in the Liu-Song Period.Chen Shou’s Annals of The Three Kingdoms briefly recorded Ji Kang,and Liu-Song Period was the most important stage in the writing of Ji Kang’s deeds.In the Liu-Song Period,Ji Kang’s image was more fixed,showing the characteristics of cultural symbols.They visualized the image of Ji Kang by painting,immoblized it by literary description,and strengthened it by literary symbols such as“Ji Shengqin”.Compared with the artistic,aesthetic,utilitarian and pure appreciation and praise of Ji Kang in the Western and Eastern Jin Dynasties,Liu-Song scholar’s acceptance and understanding of Ji Kang had its deep political motivation.Their remembrance of Ji Kang not only reflected the confrontation with the reality,but also the need to obtain emotional resonance,self-relief and spiritual sustenance,thus completing Ji Kang’s three-dimensional multiple artistic images and cultural symbols,which had a far-reaching influence.

关 键 词：刘宋士人 嵇康形象 文化符号 

分 类 号：K239[历史地理—历史学]