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作 者:李偲敏 张晓莹 龙柏达 郭琼 黎干 LI Si-min;ZHANG Xiao-ying;LONG Bai-da;GUO Qiong;LI Gan(College of Material and Energy,South China Agriculture University,Guangzhou 510642,Guangdong,P.R.China;Foshan Wision Furniture Manufacturing Co.,Ltd.,Foshan 528000,Guangdong,P.R.China)
机构地区:[1]华南农业大学材料与能源学院,广东广州510642 [2]佛山维尚家具制造有限公司,广东佛山528000
出 处:《林产工业》2024年第9期52-60,共9页China Forest Products Industry
基 金:国家重点研发计划课题(2019YFD1101202);面向粤港澳大湾区泛家居产业人才需求的专业竞赛模式研究与实践(H20230820);大型文化空间中实木制品的系统化设计研究(H20230819)。
摘 要:在商周时期“礼制”制度的影响下,商周青铜酒器以其独特的造型和精美的纹饰折射出特定的文化内涵,具有鲜明的时代特征。为了使青铜酒器的文化内涵得以延续,可将其融入现代家具产品设计中,在弘扬中华传统文化的同时,也能为现代家具设计注入新活力。本文在感性工学的基础上,以商周青铜酒器为目标对象,对其设计要素的感性意象进行研究。通过建立语义差分表和感性测量,运用问卷调查获得用户对青铜酒器的感性评价,建立起对青铜酒器的感知空间,最终获得对家具设计的启示,以期为家具设计提供更多思路。Under the influence of the"ritual system"during the Shang and Zhou dynasties,Shang and Zhou bronze wine vessels reflected specific cultural connotations with their unique shapes and exquisite patterns,possessing distinct characteristics of the times.In order to continue the cultural connotations of bronze wine vessels,they can be integrated into modern furniture product design,promoting traditional Chinese culture and injecting new vitality into modern furniture design.On the basis of Kansei Engineering,in this paper,the bronze wine vessels of Shang and Zhou dynasties were taken as the target object and the sensual imagery of their design elements was studied.By establishing a semantic difference table and perceptual measurement,and using a questionnaire survey to obtain users'perceptual evaluations of bronze wine vessels,a perceptual space for bronze wine vessels was established,and ultimately inspiration for furniture design was obtained,which could provide more ideas for future furniture design.
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