重审晚明:从文人士夫的知识世界谈起  

A Re-examination of the Late Ming Dynasty:A View from the Intellectual World of Literati

作　　者：陈广宏[1] CHEN Guang-hong(Chinese Classics Research Institute/The Research Centre for Chinese Ancient Literature,Fudan University,Shanghai 200433,China)

机构地区：[1]复旦大学古籍所/中国古代文学研究中心,上海200433

出　　处：《苏州大学学报（哲学社会科学版）》2024年第5期134-148,共15页Journal of Soochow University(Philosophy & Social Science Edition)

基　　金：国家社会科学基金重大项目“全明诗话新编”(项目编号:13&ZD115)的阶段性成果。

摘　　要：“晚明文学”的图景是五四新文化运动的产物,在古今中西的参照系中,被赋予与现代性接榫的近世性特征。这幅图景为反思五四以来的学术模式提供了样例,也成为重审晚明文学文化的契机。重审的目标在于将该时期出现的种种变化,还原至当时文化与社会的前后关系中,聚焦于古典人文学术,探求晚明文人士夫的知识世界及其背后的思想范型。这一知识世界承续自明中期,因复古的价值导向与私人刻书业等物质性条件,而有系统之变,令相关生产与传播产生诸多新特点。将晚明与前后时段联结起来作长时段考察,还促发我们重新思考复古运动与性灵思潮的关系、从文章博学到考据学风的变易路径等一系列问题。The New Culture Movement’s interpretation of“late Ming literature”has led to its characterization as a form of“early modernity”,often linked to broader narratives of modernity.This perspective provides a valuable lens for reflecting on scholarly paradigms since 1919,and offers a timely opportunity to reassess late Ming literary culture.This reassessment aims to contextualize the cultural and social transformations of the period by exploring the intellectual world and thought patterns of late Ming literati through the lens of classical humanistic scholarship.The intellectual landscape inherited from the mid-Ming period underwent significant changes,influenced by a retrospective value orientation and facilitated by advances in the printing industry.These factors contributed to the emergence of new features in literary production and dissemination.By examining the continuity between the late Ming and adjacent periods,this study reconsiders the relationship between the Revivalist Movement and the intellectual trend of xingling(native sensibility),as well as the transition from the wenzhang boxue(literary erudition)to the kaozheng xue(evidential learning).

关 键 词：晚明 文学文化 文人士夫 知识世界 内应式转换 

分 类 号：I206.2[文学—中国文学]