延安时期中国共产党革命话语体系建构——以秧歌剧为考察中心  

Construction of the Revolutionary Discourse System of the Communist Party of China during the Yan′an Period——A Case Study of Yangko Opera

作　　者：唐金武 TANG Jinwu(School of Marxism,Qufu Normal University,Jining 273100,China)

机构地区：[1]曲阜师范大学马克思主义学院,山东济宁273100

出　　处：《西安航空学院学报》2024年第4期21-29,共9页Journal of Xi’an Aeronautical Institute

基　　金：教育部人文社会科学研究一般项目(21YJA710015)。

摘　　要：秧歌剧是延安时期中国共产党革命话语体系的重要组成部分,是最贴近人民大众的民间艺术。秧歌剧是从扭秧歌、旧秧歌戏发展而来,在时代机遇、现实需求等背景下形成的。延安时期秧歌剧极具革命属性,在党与边区政府的努力,人民大众的热衷,秧歌剧现代化的发展等共同推进下,秧歌剧革命话语体系得以生成。延安时期秧歌剧革命话语体系建构完整,包括话语主体、话语对象、话语内容、话语载体、话语环境等五个部分。并且其宣传也独具特色,以秧歌剧演出为核心,以歌曲传唱为垂心,以节日活动为靶心,以报纸、评论等为内心,从而助推革命话语广为传播。Yangko Opera is an important part of the revolutionary discourse system of the Communist Party of China in Yan′an period,and it is the folk art closest to the people.Yangko Opera developed from the Yangko dance and the old Yangko opera,and formed under the background of opportunities and practical needs of the times.It had the distinctive revolutionary nature during the Yan′an period.With the efforts of the Party and the border area government,the enthusiasm of the people and the modernization of Yangko Opera,the revolutionary discourse system of Yangko Opera came into being.The complete revolutionary discourse system was composed of five parts:discourse subject,discourse object,discourse content,discourse carrier and discourse environment.In addition,it had the unique characteristics in propaganda,with Yangko Opera performance as the core,singing as the orthocenter,festival activities as the target,newspapers,comments and so on as the carrier,so as to promote the spreading of revolutionary discourse.

关 键 词：延安时期 中国共产党 革命话语 秧歌剧 建构 

分 类 号：D231[政治法律—政治学] J823[政治法律—中共党史]