明末顾绣中的“摹古”与“仿古”  

"Archaism"and"Imitation of Ancient Style"in Gu Embroidery of the Late Ming Dynasty

作　　者：李静[1] 

机构地区：[1]扬州大学

出　　处：《上海工艺美术》2024年第3期24-26,共3页Shanghai Arts & Crafts

摘　　要：明末“尚古意趣”盛行,赏古、摹古、仿古之风备受文人推崇,本文探索明末顾绣的独特魅力,特别关注其“尚古意趣”的特质,并借助现藏于北京故宫博物院的《韩希孟绣宋元名迹册》这一典型案例进行深入分析。韩希孟丈夫顾寿潜在《韩希孟绣宋元名迹册》上题跋称“搜访宋元名迹”,所以一般认为该顾绣的绣本采用的是宋元名画,但是,通过将其与宋元绘画作品对比,可以发现有些绣本来源可能并非宋元真迹,而是带有宋元画意的明代“仿古之作”。This article reveals the unique charm of Gu Embroidery of the late Ming Dynasty.With special emphasisover its characteristic of"artistic connotation in imitation of the ancient style",this article makes an in-depth analysis through a typical case:Han Ximeng's Embroidery Works in Imitation of Masterpieces of the Song and Yuan Dynasties,which is now collected by the Palace Museum.

关 键 词：北京故宫博物院 画意 韩希孟 尚古 仿古 摹古 独特魅力 宋元 

分 类 号：J523.6[艺术—艺术设计] K248[历史地理—历史学]