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作 者:王景 WANG Jing(Department of Philosophy,Peking University,Beijing 100871,China)
机构地区:[1]北京大学哲学系,北京100871
出 处:《云梦学刊》2024年第5期90-99,共10页Journal of Yunmeng
基 金:全国高等院校古籍整理研究工作委员会直接资助项目“皖南地区方志中李白相关资料整理汇编”(2105)。
摘 要:清代王闿运谓“李白始为叙情长篇”,比较准确地概括了李白七言歌行的艺术成就。“叙情长篇”指向一批具体的歌行作品,以叙述诗人经历、抒发主体情志为特征,显示出自觉的主体抒情意识。李白七言歌行突破齐梁以来的赋题之法,充分吸收楚骚精神与汉魏古辞的叙述艺术,并与南朝文人诗歌的情思流转相结合,将叙事与抒情融为一体,这是对七言歌行抒情艺术的重要发展。李白以“叙情长篇”创作赠答歌行,突破了盛唐酬赠歌行以一事一物为兴、篇末致意的模式,从抒情强度和内容深度上,呈现出诗歌史上歌行赠答风气的新变。Wang Kaiyun of the Qing Dynasty correctly summarized the artistic achievement of Li Bai's seven-character poems by saying that Li Bai was the first to create long narrative lyrics."Long narrative lyrics"refer to a specific group of poems characterized by narrating the poet's experiences and expressing his emotions.Li Bai's seven-character poems broke through the writing method of"Fu"style since the Qi and Liang Dynasty,fully absorbed the art of Chu prose,combined it with the flow of emotions in the poetry of Southern Dynasty literati,integrated narrative and lyricism,which is an important development of the lyrical art of seven-character poems.Li Bai created the presentable poems by using the mode of"long narrative lyrics",which broke through the presentable poetry mode of taking a event and a object as popularity,in terms of the lyrical intensity and depth of content,presenting a new change in the poetry history of the style of rewarding gifts with poems.
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