中国文化心灵诗学如何可能  

Constructing Chinese Poetics with Cultural Mind

作　　者：胡晓明 Hu Xiaoming

机构地区：[1]贵阳孔学堂高等研究院

出　　处：《华东师范大学学报（哲学社会科学版）》2024年第5期54-64,171,共12页Journal of East China Normal University（Humanities and Social Sciences）

摘　　要：该文尝试论述一种诗学学术范式的理论与方法,即“中国文化心灵诗学”。中国文化心灵诗学乃“文化”与“心灵”的综合角度,是在后五四时代中国文论建设性的探索中,尝试由传统诗学而发展出一套论述,以此作为读诗、研诗、教诗、作诗、发扬中国诗教的理论框架,亦约同于古人所说的“文心”。中国文化心灵诗学以整体诗学与古今贯通为主要特色。整体诗学的三项要义是诗观立基、兼顾三才、采铜于山。古今贯通的三条进路是学艺双修、诗思互进、诗化生活。其缘起大背景恰也有三项:一是回应学术内部的不满,二是适应学术外部的条件变化,三是满足时代对人文学术的新需求。因而,中国文化心灵诗学不止于诗学本身,亦是学术对传统与现代相结合的思想应答。This paper attempts to discuss the theory and its method of a poetics,namely,Chinese poetics with cultural mind.As an academic paradigm,Chinese poetics with cultural mind combines“culture”with“mind”.In the constructive exploration of Chinese literary theory in the post-May Fourth era,it tries to develop a discourse from traditional poetics.It can serve as a theoretical framework for reading,researching,teaching,making and promoting Chinese poetry teaching.It is also similar to the“literary heart”of the ancients.Chinese poetics with cultural mind is characterized by the concept of holistic poetics and the fusion of the ancient and the modern.The three main points of holistic poetics are viewing poetry as the foundation,taking into account the three talents,and“copper mining in the mountain”.The three paths to the fusion of the ancient and the modern consist in the cultivation of both learning and practical skills,the joint advancement in poetry and thought and a poetical life.There are three major backgrounds for the origin of Chinese poetics with cultural mind:the internal dissatisfaction of the academic,the changes in the external conditions of the academic,and the new needs of the times for humanistic academic.Therefore,Chinese poetics with cultural mind is not only poetics itself,but also an academic response to the combination of tradition and modernity.

关 键 词：文化心灵 中国诗学 古今贯通 整体诗学 

分 类 号：I207.22[文学—中国文学]