仪式类史诗视角的《亚鲁王》与《簪汪传》  

"King Yalu"and"Biography of Zanwang"from the Perspective of Ritual Epics

作　　者：吴晓东[1,2] WU Xiaodong

机构地区：[1]中国社会科学院大学社会与民族学院 [2]中国社会科学院民族文学研究所,北京100005

出　　处：《贵州民族大学学报（哲学社会科学版）》2024年第4期69-81,共13页Journal of Guizhou Minzu University:Philosophy and Social Sciences

基　　金：2023年中国社会科学院学科建设“登峰战略”优势科学“中国史诗学”(DF2023YS07)阶段性成果。

摘　　要：很多活态史诗是在仪式中演述的,从演述语境的角度可将史诗分为仪式类史诗与非仪式类史诗。《亚鲁王》与《簪汪传》是流传于苗语西部方言区的两部仪式类史诗,就已经整理出的文本的主要内容来看,两者可视为互文,为一部史诗的不同变异。如果将两部史诗的演述语境丧葬仪式与祭鼓仪式也纳入比较的参照元素,两者的文本结构便会被撕裂,并增添诸多不同的文本内容,就完整的丧葬仪式词与祭鼓仪式词而言,很难视为相同的两部史诗。Many living epics are evolved from rituals,and epics can be divided into ritual epics and non-ritual epics according to performance contexts."King Yalu"and"Biography of Zanwang"are two ritual epics prevalent in the western Miao dialect regions.According to the main contents of texts collected and sorted out,they are intertextual or variations of an epic.If the performance contexts,that is,the burial ritual and the sacrifice drum ritual,are included for comparative reference,the two epics′text structures will be torn apart,and many diverse contents will be added.In terms of complete burial ritual verse and sacrifice drum ritual verse they can hardly be seen as two identical epics.

关 键 词：亚鲁王 簪汪 苗族史诗 

分 类 号：I29[文学—中国文学]