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作 者:刘心恬[1] LIU Xintian(School of Arts Management,Shandong University of Arts,Jinan,Shandong 250300,China)
机构地区:[1]山东艺术学院艺术管理学院,山东济南250300
出 处:《广州大学学报(社会科学版)》2024年第5期126-133,共8页Journal of Guangzhou University:Social Science Edition
基 金:国家社会科学基金艺术学重点项目(23AA001)。
摘 要:在全球环境面临生态危机的时代背景下,在习近平生态文明思想的指引下,在生态美学、生态批评学与艺术学理论深入协作的基础上,建构生态艺术学的工作已起步。生态艺术学的研究对象是包括创作、欣赏、批评、策展及理论等环节在内的当代生态艺术活动。建构生态艺术学理论体系,须明确生态艺术学与生态美学、生态文艺学及生态批评学的联系与区别,并筛选完善生态艺术基础文献数据库。就建构与研究的原则而言,生态艺术学要回归艺术学理论学科、回归中国当代艺术史、回归生态艺术作品、回归艺术实践主体、回归审美接受群体、回归本土艺术话语与中国当代社会时代特征,还要兼顾对生态美育与生态公民塑造的观察与思考。由此,学界应严谨界定生态艺术的内涵外延及生态艺术学的研究对象和研究范围,由内而外、内外兼修地建构生态艺术学的体系框架。In the context of the global environmental crisis,and under the guidance of Xi Jinping's ecological civilization thought,and based on the in-depth collaboration between ecological aesthetics,ecological criticism and art theory,the work of constructing ecological art has started.The research scope of ecological art research encompasses contemporary ecological art activities,including creation,appreciation,criticism,curation,and theory.To construct the theoretical system of ecological art,it is necessary to clarify the connection and difference between ecological art and ecological aesthetics,ecological literature and art and ecological criticism,and refine and improve the basic literature database of ecological art.Regarding the principles of construction and research,ecological art should return to the construction of art theory disciplines,return to the history of contemporary Chinese art,return to art works,return to the subject of artistic practice,return to the art appreciation group,return to the local art discourse and the characteristics of the contemporary Chinese society,and return to community art and social aesthetic education.Ultimately,it is essential to rigorously define the connotations and extensions of ecological art and the research objects and scope of ecological art studies,thereby establishing a comprehensive and well-rounded system framework for the discipline of ecological art.
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